Are you a Britain’s Got Talent viewer? If like me, you have tuned in this year, you too may have noticed that the semi-final line-up features a number of diversely disabled acts – more so than previous years.
As a wheelchair-user myself, I am thrilled to see disability increasingly represented and celebrated on such a high-profile primetime TV talent show.
Lee Ridley AKA Lost Voice Guy
Lee Ridley, also known as Lost Voice Guy, is the first act through to the live final, having won the audience vote on Monday night. Hotly tipped to win the competition, Lee 37 from Newcastle, has Cerebral Palsy and is unable to speak. This uniquely speechless comedian uses a Lightwriter – a voice synthesiser, and as he says, “walks with a limp”. He is a BBC New Comedy Award Winner who wears slogan T-shirts depicting his self-deprecating and inclusive sense of humour – his audition shirt read, ‘I’m only in it for the parking’.
Lost Voice Guy wowed audiences and judges alike with his witty routines that draw attention to and highlight the humour in disability, thereby breaking down barriers and removing social stigma. The “struggling comedian who also struggles to stand up” joked that he “really is disabled. It’s not just really good acting”.
Fellow comedian Robert White who has dyslexia, autism and Asperger syndrome, also made it through to Sunday night’s final with his hilariously quirky musical comedy act. The 41 year-old music teacher from West Sussex describes himself as “the only gay, Aspergic, quarter-Welsh comic on the British comedy circuit”.
Though his audition proved impressive, White really upped his game for Wednesday’s live semi-final, in which he employed natural comedy timing to mock the four judges. Accompanied by a keyboard, Robert White flirted with his “next boyfriend” David Walliams and quipped that Amanda Holden dresses far too young for her age, while Alesha Dixon dresses like a hooker! This was met with unanimous rapturous applause and laughter.
Most notably, Robert directly referenced the sensitivity surrounding his condition during his live act: “I am aware that if you mention autism on stage sometimes audiences can go awkward and silent”. This effectively challenges viewers to consider how they receive and react to those of us with a disability, thus initiating the conversation.
This year’s youngest finalist is 10 year-old singer Calum Courtney who has a mild form of autism. Calum sailed through to the final after melting hearts with his reworked rendition of Stevie Wonder’s ‘Isn’t She Lovely’, in tribute to his Mum. He didn’t win the overall public vote, but having made it into the top three, was put through by the judges.
Calum was part of the line-up at the NSPCC Winter Charity Ball in aid of the National Autistic Society. His endearing and confident audition performance of Michael Jackson’s ‘Who’s Loving You’ caught the crowd’s attention and earned a standing ovation. It just goes to show that even at such a tender age, autism need not be a barrier to success.
Semi-finalists RISE, a group of young dancers from Manchester, presented two moving performances, though they did not make it through to the grand final. Group member 13 year-old Hollie Booth was caught up in the Manchester Arena bombing at an Ariana Grande concert in May 2017. Hollie’s aunt Kellie was one of 22 people who died as a result of the terror attack.
Hollie broke her knee, left foot and was left with nerve damage. She has so far had 11 operations and now has to wear an orthotic and use a wheelchair. She was keen to return to the group and continue dancing despite her trauma and the injuries she suffered. As a mark of solidarity and inclusivity in the face of adversity, all RISE dancers incorporate wheelchairs into their routines. The tearful judges hailed the girls as “inspirational”. In this case, I think the term is justified!
Final mention goes to B-Positive – the official NHS Blood and Transplant choir. The choir consists of 60 singers all of whom suffer from, or are directly affected by, sickle cell disease. Their aim is to raise awareness of the urgent need for blood donation. They sang the “powerful” anthemic hit ‘This is Me’ (a true statement of the importance of diversity). They are hoping for a wild card pass through to Sunday night’s final.
The inclusion of so many disabled acts in this year’s line-up will, I believe, have a positive impact on the disabled community. It suggests and promotes forward-thinking, equality and disability in the mainstream. Furthermore, it inspires open discussion of diversity in all its forms whilst also encouraging society to focus on ability as opposed to inability.
Widespread visibility of disabled talent within the media will naturally be met with questions and curiosity. But that’s okay because it signifies progressive inclusivity.
Many people are talking about the acts they have seen on Britain’s Got Talent. Audiences are realising that it’s acceptable to celebrate disability and to laugh about it! It is okay to ask questions since this educates and informs, thereby resulting in familiarity, recognition and ‘normalisation’.
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